
Super Oeuvre IS A burgeoning concept. My own private conceit, Super Oeuvre is a platform for ideas, dailies, scribbles, and my general interests: design, gaming, pop culture, and MOAR. Previously established as Silver Lining, BRLD, and other embarassing nicknames, I think I've settled down. Whodathunkit?
The name's Ryan Diaz;
Put'r there.


BRLD
UW Sophomore, design-oriented, & proud member of Old Boy. Looking for outlet and ways to fill my spare time. Otherwise, I'm an unhappy barista, without any ability to make a good cup of coffee. Doesn't stop people from showing up, though. Desperate to create .com, since that would be nice.

Otherwares
+ Nadine
+ Nicole
+ Arabella
+ Janelle
+ Mariela
+ Monica
+ Dara
+ Zack

Notice All images, text, and code © B. Ryan L. Diaz, unless obvious or otherwise noted. Super Oeuvre is propelled by the nice folks at Pitas.











Essentially, my beef is that I have too many songs on my iPod, around half of which I have no personal connection to in any way. I read about this romantic notion a few months ago, a guy had forgone any newfangled mp3 player and resorted to his old sony walkman, with two mix cds, fourty songs spread between them. I want to do the same thing.
oldiesvibe, romantic drawls, male, & known specifically by two names. I'm saving the Platters and Nina Simone for another post.
Bobby Vinton, I Love How You Love MeTL;DR? Oh well, here's a wrap-up. As it stands, I think if I were to choose one song of these six to add to my ultimate 40, it would be, funnily enough, "Put Your Head on My Shoulder," purely for the specific emotional attachments I have to it. I say it's funny considering I only just now learned the real artist behind it. I think I would also have to add "Bring It On Home to Me" because I've sung it too many times to go without. Admittedly, I like him better than Otis Redding and I'm leaving out "I Love How You Love Me" until I get to the Jeff Magnum version. Hank has to go, only because of size issues, but I have to say, it hurts most of all to neglect "Dearest," and I might come back to include it after all.
+ Holy F*CK. Only one of the most romantic and beautiful and soft-focus starry-night and warm-blanket songs EVER. Not only the song I spin over and over during Valentines Day, my favourite holiday, but I play the shiz out of this song ALL THE TIME. I cannot say how much I love this song. In fact, it's covered by Neutral Milk Hotel's Jeff Magnum, and I will definitely feature that song in my Top 40, other songs be damned.
+ At his greatest during a time of so many other Bobby's, (Darin, Rydell arrive off the top of my head), I don't think any other guy fits my self-described genre more than him, save for the iconic Frank Sinatra. Sadly, I don't really have any connection to Frankie except "L.O.V.E." and "My Way," the latter of which my grampa sings every time he gets near a Kareoke machine. Anyway, Bobby Vinton encapsulates more of the sweet, innocent, dewy-eyed tender lovestruck-ness I adore, so he's in, and Frankie, sadly out.
Honourable Mention(s): Blue Velvet, Mr. Lonely, Roses Are Red
Sam Cooke, Bring It on Home to Me
+ A song whose narrator seeks forgiveness and redemption with soaring strings and Sam Cooke's signature gravelly yet silky voice makes this song stand out among all his others. I mean, the politically powerful "A Change Is Gonna Come" is arguably his best work, and "Summertime" has something to it no other song made after it has ever achieved, but I can't shake off the pure and sappy melodrama that is this song. I know it's corny of me, but the number of times I've sung this in the shower don't lie. When it comes to masterpieces and the heartfelt, the heart wins, right? I'll probably add more than one of his songs in my Top 40 anyway, which at this pace, might have to change into a Top 100. The live version I have is even better, if you can even fathom that.
Honourable Mention(s):: A Change Is Gonna Come, Summertime, Mean Old World
Paul Anka, Put Your Head on My Shoulder
+ The ultimate slow dance song, the prom song I wish we had. I used to think this song was sung by Bobby Vinton, but I stand corrected. It's such a simple song, a suggestion at its core, one I can't help but smile at. And isn't it romantic? See a trend going on here? Interesting note, Paul Anka came up with a covers album in 2005, Rock Swings, and covered the likes of "Wonderwall" & "Smells Like Teen Spirit." Yikes. Stick to what we're used to, Paulie.
Honourable Mention(s): None. I only just found out this was a Paul Anka song. Woops.
Otis Redding, That's How Strong My Love Is
+ Nicole and I have an ongoing debate: of Otis Redding or Sam Cooke, who is the better of the two? I happen to be on the Sam Cooke side of things, but I have to say, the raw, commanding Redding has one up on Cooke in terms of passion. You feel his strength from his recordings, but live, you'd have to agree the the two are just as powerful. Anyway, the two covered each others' songs so much, it's not hard to find a version that suits one or the other perfectly. I love this song for the because, whereas the Sam Cooke Song I chose pleads and begs his lover to return, Otis makes her understand that coming back isn't just the best for her, it's the best anyone will ever have. If only we could all be so lucky, non?
Honourable Mention(s): These Arms of Mine, I Love You More Than Words Can Say
Hank Williams, I'm So Lonesome I Could Cry
+ Just that we needed a (relatively) sad song, and who else to sing it but the tormented Hank Williams. Literally. He suffered from crushingly painful spina bifida, and it drove him to drink, drug, and demise. At least we've the gift of his haunting and deadpan, wavery drawl as his legacy. Even in his voice his anguish permeates. You knew he meant every word of his lyrics and he made you feel the same way for him and for yourself. Don't knock him cause he's country 'til you've tried it out. His songs are economical and, yes, melodramatic, but with his honesty and humility, he became the root of country and folk that most, if not all, modern country stars severely lack. He's the sensitive cowboy that doesn't devolve into farce, more Brokeback than John Wayne, more needed now more than ever.
Honourable Mention(s): All the Love I Ever Had, Your Cheatin' Heart
Buddy Holly, Dearest
+ The last song to be featured in this particular category, also one of the simplest in terms of straightforwardness of lyric, length, and intstrumentation. I love every awkward thing about Buddy Holly, a style encapsulated by his signature glasses frames. This song was recently featured in the movie Juno, and as soon as I heard the familiar strums of guitar, I felt the familiar sense of glee and puppy love this song inspires. I love how his voice reaches for those low notes as he sings "I Love You." It's the aural image of the young teen, thinking his feelings are so important, and attempting to project and reflect that seriousness in the gravity of a low voice uttering the most serious of all sentences, as if daring the world to tell him that he's too young and immature to know true love at all. Of course, Buddy Holly returns to his sweet, regular croon and one remembers the lightheartedness, and, yes, fleeting loves of youth. Reminds the relationship between me and music, and you could say that in the same way, I love this song and while the feeling lasts until the next, it's very, very dear.
Honourable Mention(s): That'll Be the Day, Everyday

