Featuring the cow, a chicken, a lamb and two kiddies from Harvest Moon. Layout and coding by Cynthia Sun. Best viewed in IE 6.0+ and 1024x786 resolution.


Gustatory: Chipotle, Joy Yees, azn candy, MY cooking
Visual: NGE, Scrubs, Naruto, O.C., Family Guy, PoT
Audio: Cynthia music, Linkin Park, Sum41, Enigma
Kinesthetic: DDR, feeding, doodling, scheming.


Height: ~174 cm
IQ: 100+
Weight: 72kg+
DOB: 25-12-87
Edibleness: 100%
Bandwidth:8 Mbps
Mistakes: 536,112,000 and counting


Taken Name: Topher
Alias: Gopher
SN: erazorlord93
gmail: erazorlord
pitas: erazorlord
xanga: erazorlord
Other Site: Geocities

[me] || kate || jenn || kaidi || robin || catty || joyce || joyoy || josh || james || esther || cindoi || tiffany || andrea || [CYNTHIA!!11!] || deanna || joammi || [xAnGa] || jenny jen || jonny boy || [Livejournal] ||

Past Entries

Friday, June 29, 2007

Simmering in Mediocrity

Between a shooting star and a flickering light, you don't have much of a choice.

Between a mushroom cloud and a retirement home, you don't have much of a choice.

Between this life and the next, you don't have much of a choice.

And between this life and death, you don't have any.

A bang, not a whimper. Sonance, not sound. You want to make a splash, a crash, a burst, a blast. You don't want to peter out. Peter doesn't even want to peter out. But you know, you're still young. You're always still young, because you haven't stopped your learning or your education, or you're working your first job or your second job or your first string of jobs, putting your life on hold, putting your summer on hold, putting your youth on hold because you need money or relaxation or perspective or vision or a whole giant bucket of bullshit.

You're aging, already.

Go back far enough in time, you should have fathered children by now. Courted a woman. Courted a man, whatever. Far enough back, sure you lived on dirt floors in huts slathered in excrement and piss, but you lived. You prospered, you beget offspring. No frustration. No greater change to the world, because you saw what you did. You realized who you were by the time you could kill a lion with your bare hands, no legal age limit attached.

But, in the meantime, in Western culture, modern culture, whatever you want to call it--the Great Satan? I laugh--you're stewing. You're pressure-cooking, you're simmering, you're basting. You're the turkey in the pot, the ham roast in the oven, the biscuit in the tray. You're biding your time, developing skills and acquiring knowledge to make your difference in the world, in due time.

But. There's no such thing as due time.

Take on those projects. Those initiatives. Those attempts at self-improvement; they won't get you very far, but they will get you farther away from where you stand now. Which direction, it's too soon to say. Play out your cards, and you'll probably see, when your cells turn to dust, it didn't matter. Self-improve for the sake of self-improvement. Self-improvement to achieve something, well, you better hope that achievement means a fucking lot more to you than life itself.

A friend once said, there are few things worth fighting for. The right to life. Love. Land. Liberty. What about fighting yourself to throw away your temporary distractions and enjoyments, your momentary pleasures and excitements for the greater good? For your own greater good, for your own sake, for your own future self?

What is it about self-proclaimed youth that seems so utterly foolish and irresponsible? Is youth something to brag about? Is youth not wasted on ourselves?

Maybe the lesson is, you shouldn't sit indoors and write on your computer all day.

Maybe the lesson is, you shouldn't meander through life, seeking hits of pleasure and hot food.

Maybe the lesson is, there is no lesson.

So maybe between the flash and the whimper, between the crater and the puddle, you do have a choice. It's not much of one, but maybe it's there.

Maybe there is nothing worth leaving behind.

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Topher released a bout of insanity at 04:37 p.m.
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Thursday, June 28, 2007

Reclaiming the Pastoral

Daylight fades into dusk fades into darkness into evening. You wake up, the next thing you remember is darkness. Florescent lights, halogen bulbs, flickering screens. Red digits, blinking from a distant power outage in the past. Blinking, because you never set the correct time.

Each new day hatches as a rehashing of yesterday, variations on a banal pastorale, each breath and sentence and inane phrase, a copy of a copy of a memory. And as each new day pecks through its sticky webbing of half-formed memories, you look away. It's a new day, you say.

It's always a new day.

You ignore the deformities that tie it--no doubts--to yesterday. Today is yesterday's bastard, inbred child, dripping in incestuous slime, abandoned on your lap. It looks up at your eyes, cooing away with empty promises of possibilities and potential and infinitude, and you suck it all up, a babe to a teat, because you don't want to abandon hope for tomorrow.

Tomorrow is today is yesterday is always is never.

Time is not foolish; your perception of time is. You do not realize your days are not, cannot, will not ever be discrete. Today was extruded from the same fleshy material as yesterday as tomorrow will be. Today was not perforated; today was not wrapped, single-serving.

You keep rehashing your days because you're chasing after your Eden. Your happy memory, your joyful times. Your life, X many days ago. Your memories, even as they dissolve into formless puddles of nutrients for tomorrow. For today.

Each memory you feed today, you lose a sliver of your own mind. Each thought you sacrifice represents a willingness to abandon your future to recreate your past. You want to weave yourself another garden, complete with lovers or friends or toys or freedom. But you can't weave yesterday's Eden with today's fabric.

You can try, but tomorrow won't let you. Tomorrow will consume your work, and regurgitate an inferior rehashing. You can spend your life laboring away to recreate yesterday's happiness, but you can't, won't, will not ever reconstruct what yesterday already consumed.

Time doesn't work like that.
Life doesn't work that like.

Life goes on.

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Topher released a bout of insanity at 06:24 p.m.
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Wednesday, June 27, 2007

Prolific Readers Aren't Born

You claim you want to write.

You claim you want to create. Forms, figures, feelings from words born of ink on paper, soft symbols gathered through years of schooling and dreaming a scheming and thinking. Years of pondering, what are you doing with your life.

You say you want your ideas alive and colorful, breathing oxygen and beating on their own. You want your ideas loved, loved by readers, loved by friends, loved by dabbling acquaintances, regardless of their hideous, underdeveloped state, without beauty or weight, clinging onto the slimy umbilical chord writhing out of your temples.

You want to write. A lot.
You want to write a lot.

But all you're willing to do funnels down to not sitting down and reading, studying, outlining. Thinking. All the effort you're willing to give fits inside your pockets, withered and lifeless, shedding its last vestigial hairs. Those clever babies you birthed through your keyboard, hiding on your desktop? They're but snippets of possibly intelligent stories--storylines rather--that you'll never develop. Never flesh out.

You know, great writers are never born.
You know, all prolific writers are prolific readers.
You know, the only way to improve at writing is to write.
You know, writing is a social construct.

Yet, each day you refuse to let go of your mindless lifestyle. You think you're reading, but reading endless streams of blogs about cuisine and technology and love and video games cannot compare to great literary works, books and essays that endured political sways of ages long past, cultural shifts, and critics born centuries apart.

Will anyone really care about what's at the top of the reddit.com page today, ten years from now?

You know you have to read. You know you have to read a lot.

It's part of the only way great writers are made.

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Topher released a bout of insanity at 01:10 a.m.
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Tuesday, June 26, 2007

The Price of Freedom

Working from home, it's nice, really; I decide my hours, I choose my bedtime. I set my alarm to pretty much whenever I damn well please. I write up my own hours, from the comfort of my own chair, on the assuring familiarity of my own computer.

But there's no human element.

People are social creatures; maybe all you need is a livejournal and a fanbase; maybe all you need is Meebo or AIM. Maybe all you need is a phone. Or an occasional e-mail. But no matter how you cut it, how you analyze your situation, unless you're an emotionally scarred child or highly anti-interpersonal interaction, there's something inherently inferior to connecting with people through digital means, which is why I hated my high school years.

Because, I reject the posthuman.

A webcam image is streaming video is a collection of colorful dots flickering at your face. But the moving face on your computer screen that boasts colors akin to your lover's eyes, those colored dots are ersatz representations. They. Are. Not. Real.

You, typing to a computer--you're not real, either. At least the "you" on the other end is not. "You" are just a set of letters, punctuation marks, clever turns of phrases--but you're just streaming text, words glued together by an internet service and a bunch of electrons, temporarily doing "your" bidding.

Instead of striking ink on paper, you're tapping away frantically at plastic squares connected to a gray box. You're trying to make up for your lost time with your typing speed, but that's fooling no one. Quantity will never surpass quality. Never. But digital personas can trump in-person characters. This is sad, but true.

Nevertheless, I still reject the posthuman.

I reject the future where everyone works from home, hooked up to virtual reality or a seventh degree of connectivity, where the workplace is in your head, pumped into your brain through wireless channels that dump chemicals and signals straight into your synapses.

I reject this future.

One day you'll miss the times when you could leave your computer for a month and never worry about leaving a part of your identity behind.

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Topher released a bout of insanity at 05:41 p.m.
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Monday, June 25, 2007

Your Happy Ending

I'm nineteen and a half today. More or less.

Half-birthdays amuse me to no ends; people who remember them are either your closest friends or your stalkers. Remember that. People who remember your birthday without the aid of facebook, they're either family or stalkers. Or disturbingly obsessed friends. Really.

Half a year later, you're no more wiser. Marginally taller, moderately angrier. And even less focused than ever. Wondering, perhaps, when the gates will open and the fates will flood your sorry sight with energy and motivation and spirit. Wondering when your job will have meaning, greater meaning. Wondering when your life will have meaning, whether or not your presence on a sorry rock another burning rock flings in a giant ellipse will ever, ever matter.

Maybe you used to wonder, if you jump really, really high, will said sorry rock deviate just a little bit from its enslaved path? What if everyone in China jumped at once?

So half a year later, you're none the more wiser. All you've learned in six months you can pass off on a post-it note. All you've gained in nineteen and a half years, you could fill one side of a three by five with. You wonder when it all begins, and you realize for some other nineteen-and-a-half year olds, life already ended, maybe from supersonic metal pellets exploding out of metal sticks half a world a way, maybe from an improvised noose of bedsheets, maybe from driving all too fast while studying the lines on the ground all too little. Maybe from immolation. Maybe from self-immolation.

You haven't begun to tell your story. You're waiting to outline the prologue, waiting to choose your font. You're stalling for time, desperate for ideas, anecdotes, feelings, emotions. Anything. You want original creatures, still bathed in slime--your slime, that's all that matters--dancing on your page. YOUR page, because you gave birth to them. You dragged them out of your brain, probably through your nose with a coathanger. But you're waiting, because none of your babies are pretty or clever or exciting or ravishing enough to commit to ink.

Maybe, you think, I'm not meant to commit to ink.

But you look around,
You count nineteen-and-a-half wax stems sprouting from your ears, fiery leaflets waiting to singe your hair. Waiting to contribute to your self-immolation.

But. You haven't even started writing.

And you've only got six months to live.

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Topher released a bout of insanity at 07:44 p.m.
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Thursday, June 21, 2007

In Absence of Meaning

You enjoy having a purpose in life.

A role. A duty. A job--a job more significant than menial labor. You enjoy importance, focus, vision. You love meaning.

You want direction.

Funny thing is, in all likelihood, no matter what you do when you're alive, you'll end dying on the same moist rock you were born on. From ashes to ashes.

There's one way to fix that. And NASA won't help.

It's time we build our own rockets.

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Topher released a bout of insanity at 06:40 p.m.
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Thursday, June 21, 2007

Anatomy

Watching Grey's Anatomy, I can't help but notice how all scenes are dictated by the accompanying sound. Dramatic music, someone dies. Playful tunes, something amusing is going to happen. Blah blah blah music, blah blah blah happens.

It's the only show I can watch without watching the screen.

Don't know if this is good or bad. Yes, there's still suspense. Will XXX forgive YYY for sleeping with ZZZ, or will VVV be angry at YYY for crying/falling asleep/lying while sleeping with him/her/it?

Real doctors aren't that attractive. People look like shit after forty hour, sleepless shifts, not like Ellen Pompeo with makeup.

The real question: why am I watching television shows? More importantly, why am I writing about watching television shows? Has my life ceded to the point that I have to write about fictional doctors portrayed by television actors and actresses, and the supposed trials they endure?

After a few episodes, something dawned on me today.

I think I identify best with the dying patients.

People listen when they think you're dying.

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Topher released a bout of insanity at 03:57 p.m.
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Wednesday, June 20, 2007

Paperwork and Scissorwork

Writing up documents and receipts and handouts, you wonder about your margins, your font, your inline spacing. Tabs, returns, indentations. Tables. Usually, you have too little, you fudge with the margins. Line spacing. Go with Trebuchet MS.

You have too much; stick with Times New Roman--boring and unoriginal, but space-effective. Or, heaven forbid, Garamond.

But, you know those Word aesthetics overlay real concerns.

Important: why you are writing. What are you writing for? Creativity? Work? Leisure? Personal reflection? If it's for the foremost or the lattermost, why the fuck are you doing it on a computer?

Why the fuck am I writing on a computer?

You wonder, how many hours of possible art and writing and creation have drained away into the internet, into the endless void of blog-reading, Reddit-checking, amazon-browsing. How many days, weeks, years you've lost. How much time "modernized" collective society's drained away to meaningless displays of flickering text, eye-straining and what not.

Maybe you wonder all these things as you're writing.

But your document needs finishing, and you can always reflect on meaning after the fact, right?

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Topher released a bout of insanity at 04:07 p.m.
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Wednesday, June 20, 2007

Triple Digits

It's 2:22am as I type this right now.

I remember reading several novels as a younger child. I remember reading for the sake of enjoyment instead of for the sake of self-improvement, self-discovery, self-effacement.

I remember reading a book that dealt with gangs in high school, a modern-day retelling of Romeo and Juliette. One of the two was missing; the other lover was searching through thunderstorming woods, and wished on every triple-digit time, from 1:11 until 5:55.

Supposedly, according to urban myth, if you wish like that, your wish will come true.

I've tried that. It didn't work for me. And neither did chanting "Bloody Mary" three times at the bathroom mirror, with the lights out. Or "Candyman," five times. Or "Mother Teresa," any number of times.

I laugh a little when I read snopes. I chuckle quietly at the aggregate foolishness in society, as do a lot of people.

And then, I realize--that's nothing to be amused by.

Gullibility? Foolishness? Incompetence?

Oh, what I would do for a time machine.

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Topher released a bout of insanity at 02:22 a.m.
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Tuesday, June 19, 2007

Embrace Your Posthuman Self

My last expository paper of freshman year at college, I explored the concept of the "Posthuman," a construct that considers the breakdown between human and computer.

Okay, okay, it sounds like something out of Robocop. But in all seriousness, consider the following criteria for deeming something posthuman, as posted by the scholar Hayles:

  1. Privileging "informational pattern" over "material instantiation"
  2. Consciousness is an epiphenomenon
  3. The body is but the original prosthesis
  4. The lack of demarcation between bodily existence and computer simulation

These points are highly debatable, save for the last, most important tenet--individuals identify with their online selves and their digital counterparts; avatars, screennames, email addresses, PIN numbers.

People are extending themselves more and more into the internet, MMORPGS, Second Life, Instant Messaging.

People say, "I'm connected to the internet." People type, "I'm online. I'm visiting this site. I'm connecting to John Smith."

It's nothing now, sure. People identify themselves with their internet selves. How much longer before the identification transcends novel identifiers?

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Topher released a bout of insanity at 03:57 p.m.
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Tuesday, June 19, 2007

Tapping, Tapping, Tapping Your Life Away

Sometimes I wonder if I'm writing for the sake of writing. Writing so that I can feel like I've accomplished something more than consume X more liters of oxygen and Y more ounces of water and broken Z more hearts with my life. Writing so that I can, potentially, look back in the future at my past self and marvel at how much smarter I've become. Writing, because I obviously don't know what else to do with my time.

And then there's the obvious question. If I'm not going to seriously consider a career as a writer, then what exactly is all this writing for? Honing a skill I'll never wield in business or science? Practicing for the sake of discipline, enjoyment, achievement? Typing to hear myself type?

Typing, so that I can procrastinate--but do so productively. There's something inherently less troubling about wasting your time away online if you're cranking out line after line of novel text you've never read before; in one aspect it's interesting to see the words your brain calls forth. In another, it's interesting to see what you'd be reduced to if you ever became posthuman.

Just a voice in the internet? A series of text strings and symbols and haphazard punctuation? As much as I'd like to think a digital representation of myself might create novel thoughts and ideas and express them in majestic sentences hewn with weight and feeling and emotion, I question the extent that arbitrary mappings of symbols to syllables to sounds to meaning can achieve beauty.

Then again, beauty and form--

It's all in the eye of the beholder anyway, isn't it.

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Topher released a bout of insanity at 03:51 p.m.
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Tuesday, June 19, 2007

Every Time You Look at Me

Every morning I wake up, all I can think is, how much I like wanting to write well.

How much I enjoy that quotidian pleasure, waking up and musing away at essays I could build, poems I could weave, stories I could share. How my sentences and paragraphs, composed of words and punctuation so many other English-speakers have access to, could morph worlds around readers and force throbbing feelings down their throat.

It's intoxicating, really, the idea that your words could wield power. They're weightless, after all; the monitor with its radiation rays might have weight and heft, but your words are just black pixels on an olive background, shimmering however many times a minute so that someone across the internet can pick up your supposed wisdom.

I want my words to have weight; I want my ideas fleshed out, pulsating with life and feeling and heft, each advance they make toward an ideological front felt and feared, each flirtatious step seducing another mind, another eye, another reader.

And, naturally, I have to wonder.

What's so bad about writing to impress, anyway?

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Topher released a bout of insanity at 03:45 p.m.
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Tuesday, June 19, 2007

Buffalo buffalo Buffalo buffalo buffalo buffalo you

I've been home nearly a month, and all I have to show for it is an extremely messy room, uncontested (after four years and a hard legal battle) internet in my room, and abso-fucking-lutely no motivation at all to defuse the psychological explosive wired deep into whatever is left of my brain.

"I moved through the days like a severed head that finishes a sentence"-The Harvest

Billions of dollars of funding, millions of engineers, thousands of scientists, decades of research, and modern technology now allows people to waste half their lives in front of lighted, flickering displays, millions of pixels in millions of colors, none of which is half as real as looking outside your fucking window.

Modern technology, it's great, isn't it--we can spend half our night reading websites filled with opinions of like-minded people, floundering around in our own ostensible failings at life.

We don't realize, whatever the fight was......

We've already lost.

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Topher released a bout of insanity at 03:36 p.m.
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Tuesday, June 19, 2007

More and More

People change.

You changed.

Look at your interests from high school, from the years straight out of junior high. What did you like? What did you eat? What sounds pleased your ears, delighted your soul? What did you believe of the soul back then, anyway? Would you trade any of that for what you have now?

All I know is that now when I say I would give anything for a time machine, I'm not kidding anymore.

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Topher released a bout of insanity at 03:22 p.m.
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Tuesday, June 19, 2007

Cycle of Infection

"I want to break out--to leave this cycle of infection and death. I want to be taken in love: so taken that you and I, and death, and life, will be gathered, inseparable, into the radiance of what we would become..."- Gravity's Rainbow

More and more, each day becomes a rehashing of a previous day. Each thought, an amalgamation of previous ideas, unoriginal and finite and limp, clinging together with sticky fluid. Each sentence, a construct of secondhand words; each word, salvaged from a dusty bin of secondhand ideas.

I'll be honest. The quote above, I have no idea what it references. I have no idea what it means. I can't say I'll ever muster the determination to read through all of Pynchon's genius, brilliant literature supposedly penned while he locked himself up in a room with nothing but graph paper and a model rocket built from office supplies.

Break out of this cycle of spent memories, feelings, phrases, actions, thoughts. Every pixel on the screen, you've been it in this color before. You've seen your cathode ray tube stream red, green, and blue millions of times. You've seen it all before.

Just remember--none of it is new.

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Topher released a bout of insanity at 03:21 p.m.
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