Barrel Magic

Canto XX

Canto XX

 

 

you were darker than me—black Irish

I guess and I knew nothing about you

what you wanted to be or how you

 

wanted us to be yet it seemed as if we

were always a little ahead or behind

ourselves—never quite in tune but I

 

loved you then—sometimes I wonder

if I love you now but you’re probably

married like me and in love like me

 

at least that’s the picture I’ve painted

in my mind because I’ve never forgiven

myself for turning from you you who had

 

my hands and feet tied as your slim waist

was tied to mine but that was years ago

with that lace around your head you

 

could have been mistaken for the Blessed

Virgin and when we drove past the British

Embassy you would blow the car horn

 

say “I don’t hate the English but they hate

me” each season your English friends

visited DC they jibed joked and expected

 

you to laugh along at their Irish jokes

incestuous Republicans and evil Leprechauns

why’d they even flirt with you as O’Hara

 

says “Lust springs from the bowels” and I’m

afraid of this little knot grown large in old

age and I hate/love to go to the PCP

 

who gets a finger in there tiny time bomb

spurts blood while every expression of my

faith falls because it’s all been translated

 

you see from a native tongue and you might

get it but their land is rent—meadows bathed

in green liver—people turned to land

 

if only you could work your magic

on my grimy soul—you know when you

weren’t around I chopped white lines

 

on an etched gray mirror then lifted it

and sniffed—my heart rattled like gunshots

along your Shannon trotted as if it would stop

 

and my eyes crystallized into glaciers

needles pricked my skin—a vase of tulips

slid across the coffee table when I glanced

 

away the vase moved back then on the phone

we talked about blow jobs but I didn’t think

it was flirting until I remembered you and Essex

 

tossing one-liners you teasing him clearly you

can revive me as easily as you float to me

paddling our boat on the black river that gurgling

 

river that swallows us whole—you let him kiss

you and I tore the bar apart for that for that I kicked

wine crates into booths smashed glasses

 

and creased one door jamb with my head hair

left in its cracks and blood streaming down

my face “not real blood” you say of course

 

it was red wine exploding from brain to wood

you would drink it if you could—the kind

of love we used to laugh at others for

 

when I rang your phone all night long because you

said the kind of love you have we had you used

to laugh with me now you’re laughing at others

 

and you said the phone ringing ringing ringing

you thought I’d do that and knew it was I

on the other shore so you laughed with the other

 

all night long because it was that kind of love

and that kind of river—I could never have been

like him and his Soho world trapped in Freud

 

sleepwalking with no memory of night or moon

swinging itself high over the wide river where

its shimmer makes one swoon for love maiden

 

head let me stay if I make it mine no law but our

law tobacco yellow knuckle not bruised a glove

no hoe no red eye rock wall singsong all signs

 

pointing to our ancestors who watch grin hold

each other and sing and stifle with bright cries

but who am I I could cry into the snow

 

for years efface myself drift through the night

bus stop to bus stop with nothing to shield me

and I could never be your equal your son stolen

 

your person non-person how small my life is

compared to your struggle and how the snow

must have clung to you for warmth what love

 

could have cured—the whiteness says P. Cavalli

“I pretend to wait for you to enlarge the minutes

and you do well not to come” you know

 

when Mussolini took Rome he named his accession

the Year One being myself here now whiteout

yearning for another self much more a location

 

to cradle it we could have been different and every

time that other me emerges I beat it back and cry

when I do—you cry too if it will help you

 

says G. Teskey “the potential for the imprinting

of schematic form in this substance rests in two

interwoven constraints” down silent catacombs

 

like sleepwalkers two abreast with no memory of night

you can’t wake me never could—originally it

wasn’t sin it was boredom a genetic defect

 

inherited from Him—bored with His angels He made

us then the angels got jealous got even but even Adam

was bored with Eve and Eve with Adam so bored

 

they forgot to eat life ate knowledge instead

which of course doesn’t cure boredom but only magnifies

it—hence God was bored is bored will be bored

 

now and forever with men so I stuffed my snout

with menthol swallowed a bicarb ate Bayer so my head

wouldn’t swell rubbed baking soda on my gums

 

then massaged them with coke and through my bloody

nose air smelled sweet as morning dew on the uncut

prickly beards of graves—through the radio’s static

 

four priests buzzed like Invisible Beings and I heard

equatorial plains simmer faceless ambassadors square

off ships jammed at harbor ogling masses

 

wheat rotting in the fields and on the docks so I filled

my mirror again and listened to our enemies

on the radio bellies flinched oil dripped from tank

 

muzzles drenched the sugar beets until in a nice mirror

ice bled down my jaw and four priests proposed

that faith hadn’t any grave since raptured ones fly

 

whole to heaven even after the bodies are decapitated

worm ridden fouled by cancer each to each they kiss

and rise to a new world new life and us missing them

 

 

Capitol of Punk

Thoughts on Pattern Recognition by William Gibson

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